With her permission, I am reposting the interview I gave with Chanel Blake from Scribophile.com.
Welcome back to my weekly author interview series. Today I sat down with Blair Farinholt author of domestic discipline erotica, present in many aspects of his writing (and parts of his life). I got to learn more about Blair’s choices as an author and what drove him to such an interesting writing topic.
Chanel: Good Morning Blair! First I’d like to jump right in and learn a bit more about your writing style. What length of story do you typically write? Genre?
Blair: Thanks for talking with me Chanel. I can and have written flash fiction and short stories but I am really long-winded and almost always have at least a novella in hand, if not a novel. My current piece would be a lovely 150K word Victorian erotic novel, but will probably be a series. I am looking at a serious publisher for this particular genre. I write exclusively spanking fetish and domestic discipline romance novels as Blair and under my real name I have just completed a thriller of 115K words. I also blog on MSN and have been a sports writer.
C: Ahh the mysterious pen name. I love it. Are you currently published?
B: All of my previous publications have been in journalism
C: Why did you decide to write?
B: I became a writer when as a youth I was labeled a “gifted creative writer”, after I wrote a story about the Civil War. I was chosen as one of the top 50 student authors in Washington State and attended the Centrum Writers Workshops. There I got to meet Peter S. Beagle who wrote the screenplay for the original animated Hobbit. Our conversations over those three days were instrumental in my passion for writing
C: What inspired your latest story idea?
B: Latest idea…hmmm… I don’t know what idea is latest because I have about 8 open projects that I am working on when I am not busy making a living. I suppose the one that I just sampled on WordPress would do.
I am writing a Victorian erotic spanking novel about a girls’ school in 1921. I was inspired by three high school yearbooks that I found from 1917 to 1921 that belonged to an Italian girl who had migrated to the US in 1907. I was fascinated by the tension that was already present as the Victorian social mores were at odds with the radical sexual revolution that was about to happen with the advent of Suffrage in 1921.
C: Wow, 8 projects? Is this accurate to describe your current writing position? Do you find working on various projects at once difficult or do you prefer it? When you focus on a variety of projects do they all cover similar topics/genres or does it span over several different ones?
B: I suppose the fact that I have so many open projects could be considered a blessing or a curse. Originally, I was compiling ideas for the Sex Sells Dirty Thirty group on Scribophile. I had many ideas written down and when I joined the group, I started a little on each one. Now, during my writing time I pick one project a day to work on and then work on a different one the next. It probably won’t be the most effective way to come up with a collection of work, but it seems to work for me. The stories don’t get stale for me when I take some time away from them. I think this is particularly important when you are working on a larger piece.
C: You mentioned that you write under a pen name as well as your real name. Why did you decide to explore different author names? What draws you to using a pen name?
B: In the age of instant information and because so much writing is now occurring on the internet, I made the decision to write one predominant genre under the pen name Blair Farinholt. I have experienced real consequences for having written something controversial, to the point of losing a job prospect. From that point forward my wife and I are extremely careful about our internet presence. Blair is responsible for writing all of my fetish erotica; specifically spanking and Domestic Discipline. There is a hardcore, faithful readership in that genre (see BlushingBooks.com among others) and publishing is much more likely than just self epub. Writing under this persona gives me the freedom to write and not worry about what folks at church think. The name is the homogenization of one of my favorite actresses (Blair Brown) and one of my little league coaches that I respected.
In the age of instant information and because so much writing is now occurring on the internet, I made the decision to write one predominant genre under the pen name Blair Farinholt. I have experienced real consequences for having written something controversial, to the point of losing a job prospect.
C: I find the reasons behind your use of a pen name very logical. I think this is something all us erotica authors consider at one point. Plus it’s fun to have an unknown persona. Do you find yourself acting different as Blair Farinholt? Are there any people in your real life that know about Blair?
B: I wish I had taken more care early on. My personal haughtiness demanded that my name be out there on every provocative or controversial thing that I wrote. I lost a valuable job position because the employer read something that I had written. I wouldn’t say that being Blair allows me to act differently, but maybe with less restraint. I still have to watch my verbiage to make sure that I don’t tip off my real name. One author here on Scribophile knows my real identity. At my work, my coworkers, who know I write, also know that I have a psuedonym on Scribophile, but I don’t tell them the moniker that I am using. Worlds are no longer colliding to paraphrase Jason Alexander on Seinfeld.
C: That’s a good way to look at the use of a pen name. Good to know that you don’t act completely different! Do you ever worry about your book becoming popular enough that your true identity would be revealed whether through necessity or through nosy reporters? (Like me? Tell me your name! Do it! Do it!)
B: It’s really a double edged sword. The primary reason I keep up the pseudonym is to protect my non-writing career. If I became popular enough with either of my personas, I would be giving up that career to move into full time writing, at which point it wouldn’t matter to me that much.
C: Now, I must ask that since you write in several different genres (under different names), what has been your favourite genre to explore?
B: I have to confess, that I didn’t realize how much I would enjoy writing Submission and Domestic Discipline erotica. I was unprepared for the ease with which it came. Perhaps I was titillated by the subject matter or by the fact that it is a significant part of my own marriage. But I really enjoyed it. I also would like to delve into Literary fiction (as amorphous as that genre definition is) and I would like to write a series of police procedural thrillers. Aspects of both of those have appeared in my non-Blair novel.
C: Since this theme is a part of your own marriage does your wife read the stories that Blair writes? What has her reaction been to them?
B: I don’t believe there is a writer alive who doesn’t allow some sort of autobiographical part into their work. I don’t think if we had not already had our own Domestic Discipline experience, she would have been as open to me writing this form of erotica. 50 Shades of Grey has really opened the door to Dom/sub, BD/SM, and DD erotica though. This was a natural extension for me. I can address my personal fetish, write about something I really believe in beyond the bedroom, and not do anything that I find terribly offensive to my personal ideologies.
C: You mentioned you were long winded, does this mean you prefer to write novellas or novels over shorter pieces?
B: I have experimented more since I have joined Scribophile then beforehand. TL Taylor, who is a critique partner and collaborator with me sometimes, convinced me to try things like prose poetry, and flash fiction. Still, I find that when I am crafting a story that I find the most satisfaction when I peel it like an onion. That inevitably builds the length. I have a piece under my real name that went almost 120K words and is on its third edit.
I think that most authors of fiction envision themselves as novelists. I certainly do aspire to that and its probably due to simple haughtiness because I like the idea of being a novelist. It is a rare opportunity in this age compared to when I met Beagle in 1978. Then, if you were called a novelist it meant something different than what it does now. In 2014, anyone can be a novelist online. It doesn’t even have to be good. Let’s be honest, we have all critiqued stuff that we shuddered through reading. I have read work online that I cringed at reading. One of the most successful ebooks that got published later (50 Shades of Grey) was particularly well written. I suppose the biggest crippling thought to the freedom we have to write now is wondering if the work that we are peddling on line now would have ever seen the light of day in 1978.
C: I’ve interacted with TL a few times (on Scribophile) She’s a great girl! What sort of work have you done together?
B: TL and I had a critique/editing relationship before Scribophile. We have such radically divergent styles and viewpoints that it was hard for us to come together. She had written a lengthy, extraordinary erotic story called, “I’ll Be Home for Christmas”. As we would review it, she would become increasingly frustrated because she had two diametric ways of resolving it. I finally challenged her that whichever she chose, I would take the other ending and write my own version of the story with that ending.
Mine was called the “Season of Giving” and was fairly well received here on Scribophile. The result of that playful collaboration was the idea of a series of erotic short stories told from the viewpoint of a hotel suite in Reno Nevada. The series, called “Room 1475″ is nearly ready for its first book to be published. Unfortunately, TL’s contribution wound up morphing into a chapter of her novel Power Play, and my collaboration with her became literary masturbation with all the stories being my own. [sigh]
C: You mentioned the Dirty Thirty group on Scribophile. How many of your ideas did you get written and completed with this group? Do you still have a list of themes or plot lines that you wish to pursue?
B: As I mentioned the fun part of the Dirty Thirty group is that it launches a lot of ideas and, of course, that is also the problem. The goal to publish thirty ‘books’ in a year is ambitious, especially for anyone with a family with kids and a career to keep up. Still, I am thankful to the inspiration. I have, by necessity, conceived 27 book ideas. Some are parts of series, which do well at publishing houses like Blushing Books. I keep that book list and title ideas on my computer to keep working on them. Right now, I am working on the fourth story in the Room 1475 series called “Spanking T.L. Taylor”. Yes, I got permission from both of our spouses.
Much of my work can be seen in excerpts at my website which can be found at https://blairfarinholt.wordpress.com/. I also blog and write about Domestic Discipline here.
C: Well it’s a good thing you got permission! [Laughs] Can you tell me a bit about the first book in the “Room 1475” series? How does it read without TL’s contribution?
B: Well, I would think that they are fairly cohesive in the voice of the room. One of the things that we struggled with was the attitude of the room…the way it considered what it was seeing, etc. Mine was much more aloof and non-judgmental, truly an non-omniscient third person which allows the reader to make their own judgments about the characters and the sex that they are involved in.
Before TL decided to change Power Play from a 1475 story to a chapter of a novel, we had lengthy discussions on the phone about the difference in the voice she was emoting from the room as opposed to mine. It wasn’t that it was wrong…it was different… and I was concerned about the reader’s reaction to that. There are four stories in the first installment of 1475 and I am finishing the last one in the next few weeks. It is called, “Spanking TL Taylor”. Written with her permission, of course.
C: So you guys have done serious collaboration rather than just over Scrib and via email. That’s awesome to hear. Have you enjoyed collaborating on a story? Are there any challenges you’ve faced working with another creative mind?
B: It is actually not unlike the relationship with my wife. Both of them are powerful, strong-minded women. Both of them are more than willing to bring painfully hard criticism to my work. And both of them have diametric points of view. For example, my wife felt that Domestic Discipline is kindred to spousal abuse (a position that she has since moderated on) which, of course, TL absolutely agrees with. I am a cup half full person and both of them are cups half empty. They don’t trust easily and I am far too trusting. It is both difficult and helpfully necessary to get well considered critiques from people with opposite viewpoints so to that end it works well. TL doesn’t take critiques from me any better. For her, she will defend (sometimes angrily) why she has written something that I think needs improvement. I will walk away from the discussion and then find out three days later that she took my advice.
C: I am very much the same way with critiques. I find it sometimes takes a day or two to process some of the suggestions from my fellow writers before putting them to good use. That being said, I found that my writing really grew and formed into something real after joining Scribophile. Do you feel that this website has helped you improve your writing as well as give you an opportunity to experiment?
B: Hmm…I loathe to make a confession that writing wasn’t something real for me despite the fact that I was busy making a living. I spent two years writing a novel under my real name and trying to find an agent or publisher. For me, although, I didn’t make a living at it, I still always considered myself a writer first. Frankly, the Internet, in general, not just Scribophile has created new avenues for publication. However, as we talked about earlier, that is fraught with its own landmines. Just as the bulk of the writing on Scribophile is amateur, so too are the critiques. That is not to say that the writing and critiques aren’t capable of being good. However, it isn’t professional editing and that is one of the things that can take you from self or e-publication to major publication.
C: About the level of amateur on Scribophile, do you intend to seek out professional edits before looking to agents/publishers with your novels?
B: Well, that may have been a mistake I have already made. I sent queries out to 35 different agents and only got a couple of comments. I am having a tough time deciding if the issue is the small niche that I am writing to, or simply that the writing isn’t polished enough. So, I would say, at least in the case of main stream publishing, that I would consider bringing on an editor or working with a publisher’s editor. However, from what I have seen from self-pub so far, I feel that my work stands pretty well on its own…especially my erotica.
C: Earlier you mention your position on being a novelist and the meaning behind that. I agree with your thoughts on some of the work out there that has been published or presented as worthwhile material and have no doubt it would never have seen the light of day if not for the internet. So I wonder how you feel about the changes in the publishing world. Is self-publishing something you would be interested in pursuing with your novels or are you hoping to query agents and enter with the traditional market?
B: I think that I have enough of a resume that I can find publication for my erotica, especially since it is a niche that has a very ardent, faithful following. Like writing romance novels there will always be a demand for spanking erotica. As I said, my novel written under my real name, has been offered out to over 35 agents without a nibble yet. The market is so glutted with authors of talent. Just go to a library sale and see some of the novels out there getting published by major publishers. Many of them are obscure and never see the light of day, despite publication. Look at what happened to “The Stones of Summer”. Many people consider it literary genius, but not until a documentary director found the author living in broken squalor did the book ever become a best seller.
I suppose that I, like many of the idealist writers of my generation, are saddened by the course of publishing in general while at the same time titillated by the opportunities that Epub and self-pub present. 50 Shades certainly has stoked the fires for self-publication with the hopes that it will lead to more. Even here on Scribophile there are authors that are grinding out a modest living with their creative writing. I still have a family to care for so I still keep my career, though nothing would please me more than knowing that going to work would entail simply walking to my keypad.
C: Your inspiration to become a writer is very interesting. How long ago was this meeting with Peter S. Beagle? Do you still feel that you apply what you learned then to your current work?
B: I met Peter S. Beagle in 1978 at a writer’s workshop in Washington State. I also met Frank Herbert there. I was struck by Beagle though because, although he was a fantasy author, a genre I don’t necessarily embrace, he had a tone of grittiness that I appreciated especially when we talked about writing. He never talked down to us and I felt that he genuinely enjoyed the writer’s life. Young authors go to workshops with their work but there really isn’t really the time to gnash through jots and tittles. For me, the biggest come away that I got from my time with Beagle was that I really wanted to be a writer, which was huge for me.
I was struck by Beagle though because, although he was a fantasy author, a genre I don’t necessarily embrace, he had a tone of grittiness that I appreciated especially when we talked about writing. He never talked down to us and I felt that he genuinely enjoyed the writer’s life.
C: Before joining Scribophile where did you put your writing focus? Did you write erotica before that or is this something that developed more as you met other erotica writers?
B: My first significant work was actually a Civil War story. I have written a variety of things over the years. I spent two years writing for a local newspaper which was so much fun for me, before I started writing my novel. Rewriting has been the focus now. TL Taylor actually talked me into joining. I think that joining Scribophile made it okay for me to indulge my particular fetish in erotica, which now has such a strong niche. I think that just like everyone self pleasures and the ones who don’t are lying; all writers probably dip their proverbial toe into the stream of some form of erotic writing, even if it never sees the light of day. Mine filled spiral notebooks and then were abandoned.
C: We’re running out of time but before I let you go let’s give everyone a taste of Blair. Aside from writing what are three words you would use to describe yourself?
B: Hopeful, Foolish, Romantic
C: Great answer! If you can’t sit down to read or write, what would you rather be doing? Do you find time to do this along with writing and the rest of your busy life?
B: This will sound odd but I love to collect sports cards. I have about 30,000. One of the most relaxing things I enjoy is sorting and collating them. However, I seldom get the time to do it anymore in the last few years since I have been writing more. Also work often intrudes.
C: And the age old question, if you had to suggest one published book to readers what would you choose and why?
B: I am going to cheat, giving you one contemporary novel and one classic. Both are mentioned in my profile. I don’t read contemporary fiction as a rule. I picked up a copy of the Time Traveler’s Wife by Audrey Neffeneger. While she isn’t a wordsmith by any means, the meticulous care she took to weave this incredible time travel story was breathtaking. It was a terrific romance novel for women while at the same time being a brain tickling Sci-fi thriller for guys. Practically perfect book for the modern contemporary novel.
My #1 I would have to say is East of Eden. I was always passionate about Steinbeck’s gripping realism. When I was a boy in Jr. High school, I was already fancying myself as smarter than everyone else already. When an English teacher told us that we would be reading a novella called “The Red Pony”, I felt my stomach turn. Another equine girl’s book like “My Friend Flicka”. Instead, I was exposed to Steinbeck’s cerebral and unflinching style and I was hooked. While most people will point to the Grapes of Wrath as his pinnacle, East of Eden was a tour d’force for Steinbeck. It has the breadth of a multi-generational epic, the intimacy of tragic failed love story, a cold female villain that makes Madam Bovary seem like an eccentric aunt, and a final sweet wrap up sentence that ties a bow on the grand novel. “Timshel!”
C: That’s all the time we have for today! Thank you for joining me, Blair. It was a pleasure!
Outspoken and mercurial, Blair Farinholt lives in the Hudson Valley of New York but originally hails from the Pacific Northwest. He has a BA from William and Mary and an MA from Marist College in Poughkeepsie. He loves fall drives with his wife and children, visiting the “City” on the train, and going to church where he is an elder. He has an extensive profile of published work under his vanilla name.